viernes, 23 de enero de 2015

Aulas Felices

Programa "Aulas Felices"
Psicología Positiva aplicada a la educación

Equipo SATI, 2010

I highly recommend this book. These are the three activities I have chosen, but all of them are very useful:

1 Inventing Sports

Objectives: stimulate creativity and team work.

Development: students are divided in several groups. First each group invents a sport either basing on an existing one (introducing variations) or a completely new one. After deciding the sport, they write the rules. The sports must be playable in the real world because they will put them into practice in the Physical Education subject.

I think this would be a great activity because students are creating something that has real application. They will realise they are doing something useful, and at the same time, they are developing creativity. Furthermore, it is a good opportunity to work with another department.

2 The painting (I would title it “The Hidden Painting”)

Objectives: to develop imagination on visual stimuli; open their minds and realise that first impressions are not always true.

Development: We choose a figurative painting. At the beginning students only see a small fragment. They have to say what they see and formulate hypotheses on what they think the painting represents. Then we show another fragment and ask again. When they have more information, they change their point of view. They go constructing the narration with their perceptions and opinions of classmates. And finally we show the whole image. Then, students can have the general picture and may be surprised of the real story.

An example of painting can be: “The Dominion of Light”, René Magritte, 1954



3 Learning to plan my tasks

Objectives: practice determination; learn to create a planning for the tasks and acquire learning autonomy.

Development: Students design a working plan that helps them organise the individual tasks they have to do during the class and at home. When they are going to carry out a task, they have to fill in a table following these instructions:


Working plan
Control
Final evaluation
-Brief list of the tasks I’m going to do, specifying the approximate time for each one.
-Arrange them for example, starting from the task requiring more attention, leaving the ones requiring less effort or being more motivating for the last.
-I reflect on what I’m doing: Am I concentrated? Am I making the most of my time? Am I making progress?
-If the task is quite tedious, I make a pause (I walk, I open the window and have fresh air…), and think on the tasks still left.
-When I finish, I value the degree of fulfilment, and my distribution of time.


At the end of the week, the teacher opens a general discussion to listen to the students’ results and reflections on their week work, and picks the students’ charts.


The Theatre of the Oppressed

Information taken from http://www.theatreoftheoppressed.org/en/index.php?nodeID=3

The Theatre of the Oppressed is a system of Games and special Techniques that aims at developing, in the oppressed citizens, the language of the theatre, which is the essential human language. This form of theatre is meant to be practiced by, about and for the oppressed, to help them fight against their oppressions and to transform the society that engenders those oppressions. The word Oppressed is used in the sense of s/he who has lost the right to express his/her wills and needs, and is reduced to the condition of obedient listener of a monologue. It must be used as a tool of fighting against all forms class oppression, racism, sexism, and all kinds of discrimination.



These are the three techniques I have chosen:

IMAGE-THEATRE

Words are empty things that fill the emptiness (vacuum) that exists between one human being and another. Words are lines that we carve in the sand, sounds that we sculpt in the air. We know the meaning of the word we pronounce, because we fill it with our desires, ideas and feelings, but we don’t know how that word is going to be heard by each listener. Image theatre is a series of techniques that allow people to communicate through Images and Spaces, and not through words alone.

AESTHETIC EDUCATION OF THE OPPRESSED 

It is not necessary to be a Poet to write a poem, but whoever writes a poem becomes a Poet. We know that s/he who transforms reality is transformed by the very action of transforming. The aesthetic education of the oppressed aims at developing all aesthetic capabilities of citizens that have been limited since childhood by the authoritarian societies in which we live. We do not teach how to do it, but rather try to help the oppressed to discover or invent how s/he wants to do it, with her/his own ways and purposes. It is composed of: WORD (Poem, Declaration of Identity, Stories); IMAGE (Sculpture, using clean garbage; Transformation of well known images to give our opinions and feelings about them); SOUND (Creation of Musical Instruments with objects related to the lives of the participants; Music and Dance, based on the actions that we perform in our daily life); and ETHICS (Debates about special moments of Humanity when Ethical values were at stake, analysing those values, with the intention of provoking thoughts and discussion about the choices that were taken — ethical or un-ethical. The themes depend on the characteristics of each Group).

FORUM-THEATRE 

Music is the organisation of sound in time; plastic arts, the organisation of colours and lines in the space; theatre, the organisation of human actions in time and space. Theatre is a representation and not a reproduction of social reality. Forum-theatre presents a scene or a play that must necessarily show a situation of oppression that the Protagonist does not know how to fight against, and fails. The spect-actors are invited to replace this Protagonist, and act out - on stage and not from the audience - all possible solutions, ideas, strategies. The other actors improvise the reactions of their characters facing each new intervention, so as to allow a sincere analysis of the real possibilities of using those suggestions in real life. All spect-actors have the same right to intervene and play their ideas. Forum-theatre is a collective rehearsal for reality.




Understanding Language Teaching





BEYOND THE METHOD

A film created with Dvolver


Interviewing an expert: Hami Suzuki

NNEST

Today we are going to interview Hami Suzuki. She is an ESL instructor at the University of Hawaii English Language Program (HELP). She holds an MA degree in Second Language Studies from the University of Hawaii at Manoa. She has taught English in Japan, Thailand, and Hawaii to different age groups and proficiency levels. Her research interests include Second Language Learning/Teaching, Extensive Reading and topics relating to identity and language. Hami will be an instructor at INTO Oregon State University (Oregon State’s academic preparation program) starting in September 2014.

Thank you, Hami, for being here today.

1 When did you start learning English?

Well, I began learning English at the age of six, when I moved to Hawaii because of my father’s job. I only knew a couple of words in English back then, so I was put into an ESL class when I entered a public school. I studied English with a teacher one-on-one, and I gradually started to take the content-based courses with the mainstream group.

2 So it was not such an easy task for you, was it? Did you adopt any strategy to improve your English?

One of the biggest reasons why I improved English pretty quickly might have been the extensive reading assignment I had for one of my classes. In the beginning, I was motivated to read because I could get fancy smiley face stickers for every book I read.
However, after several books, I deeply fell in love with “reading”. It was to the point where my mother had to take the book away from me because I would keep on reading in the dark at night!

3 When did you realise you wanted to become an English teacher?

When I attended Sophia University in Tokyo. After Hawaii, we moved to Finland and then we moved to Tokyo when I was 15 years old. In those days I felt like “I-don’t-know-where-I-belong”. When I went to university, I met friends and professors who had similar backgrounds, took applied linguistics classes, and discovered my passion to teach English. One of my friends introduced me to a part-time job as an English tutor at an English language school geared towards pre-school to high school students.

4 So, there began your experience as a teacher…

Yes. Although I was not confident about teaching at first, I was lucky to have supportive mentors and staff who guided me through my four years of teaching. My foundation for teaching was established through these years. I discovered my love for teaching , saw a glimpse of light of where I should be heading, and learned to understand and accept myself as a bilingual. I genuinely felt the joy to teach, as well as appreciating my own abilities to help the learners find or pave their paths towards their goals.

5 You are now an ESL Instructor at the Hawaii English Language Program (HELP) at the University of Hawaii at Manoa. Could you tell us some of the challenges you have faced?

I feel that some of the challenges I have had in this program may not have necessarily been “because I am an NNEST (Non-Native English Speaker Teacher)”, but more so attributing to the fact that I was a novice teacher. I think many novice and experienced teachers have had a point in their teaching career when they  have struggled to create lesson plans and materials, felt anxious and excited about teaching the class, or gained/lost confidence because of student comments. I have experienced all of this, which is what makes me today a passionate ESL instructor.

However, I do remember an unforgettable incident that happened on the first day of my first class at HELP. I was assigned to teach a listening and speaking class for beginners. I was excited about meeting my “first” students, and I took hours thinking about icebreakers and activities to do in class. On the first day of class, I walked into the classroom as confidently as I could with a big smile on my face. The very first question I received after I greeted them was, “Are you Japanese? Not American?” with a suspicious look on the student’s face. As a novice teacher back then, I felt self-conscious, anxious, and insecure in an instant. Given my Asian appearance, I guess I did not fit into the stereotypical “American” image. That one simple question made me feel as though I had to prove to the students that I was as good as a native speaker.

6 Did anyone help you with it? How?

Yes, fortunately, I have worked with many supportive administrators and colleagues, who have helped me to understand that it is not what you look like or what you sound like. Rather, it is what you can do with the language and what you can bring into the classroom. That goes for the students who come into the classroom too.

7 Some authors say that for example, in Japan, English learners should try to learn “Japanese English.”. Do you think it is appropriate to integrate language awareness activities in classes like those you teach at UH’s HELP? What variety of English is appropriate for your students to set as their goal?

As an instructor, I think it is appropriate to integrate language awareness activities into IEP classes if they are relevant to the course learning outcomes. Sometimes, students at HELP bring up the topic of Hawaiian Creole English, or locally known as “Pidgin”, without knowing it. I think their realisation demonstrates the appropriateness of introducing this topic to them. The mix and fluidity of languages in Hawaii is amazingly beautiful, and it creates a localised knowledge that some “community” members may only know (Canagarajah, 2005). For students who are studying in Hawaii, I believe it is appropriate that they become aware of this local knowledge, as well as the varieties of Englishes around the world. In reality, students are more likely to engage in conversations with locals in Hawaii or people from different countries on a daily basis. However, it is also true that these students are expected to perform in class/university using “academic English”, or “American English” as you mentioned in your question.

Having said that, in an IEP class/program that is situated in AmericaI feel it is difficult to determine or set a certain variety of English to be a goal for the students. As an instructor for students who are aiming to be matriculated into an American university, I cannot ignore the expectation (i.e. knowledge of “American English”) that the students will most likely face. Nevertheless, as I mentioned earlier, language awareness activities are appropriate and important in students’ lives beyond the classroom.

8 What do you think of the Native/Non-native speaker dichotomy?

At one point in my career, I thought labelling myself as an NNEST was saying that I was “inferior”, which is absolutely not true. After educating myself about this “dichotomy”, and personally struggling to find an “answer”, I see it very differently. Labels can blind people and cross out an individual’s characters, traits, and qualifications. I have to admit that I was blinding myself at one point in my career.

In the globalising world, the dimension of complexity within individuals is increasing. As Higgins (2011) mentions, traditional assumptions of what it means to belong to a particular race, nationality, or ethnicity are constantly challenged. I feel that many individuals form their identities among many cultural worlds, which have created hybridity and diversity. Therefore, it is difficult, or maybe irrational, to claim that an individual should be tightly linked with clear-cut national borders or language. There are varieties of Englishes being spoken around the world by many multilingual/multicultural individuals. Ultimately, I hope that the dichotomy between NNES and NES will not be an issue. Rather, the discussion should go beyond the issue of the dichotomy. Seeing that
the topics of World Englishes and EIL are becoming more prevalent, the dichotomy of NES and NNES seems to oversimplify the richness that individuals bring into teaching.

9 Do you realise that NES teachers enjoy more privileges than NNES teachers in Japan and in the States?

That is an interesting question to ask. As a “new” MA graduate, I have recently experienced and witnessed the differences of how NES and NNES are treated in the job hiring process. Truth be told, I have been eliminated from a list of job applicants because I am an NNES. It is true that the native speaker fallacy still thrives in Japan. Some job applications list “must be a native speaker” as one of the qualifications. As a passionate and committed language instructor hoping to teach and collaborate with other language teaching professionals, it is quite disappointing to see and experience this prevalent discriminatory situation.

On the other hand, I personally feel that there is less dichotomy between NEST and NNESTs in the States, especially in Hawaii where it is very multicultural/multinational. I have been lucky to work with the administrators at HELP, who understand the strengths of having NNESTs  as ESL instructors in this program. Nevertheless, more professionals do need to be informed and educated that being NES or NNES should not be a criterion for judgment. In addition, students need to see through textbooks or realise through their teachers that, in the real world, they will most likely be using English to communicate with other NNES people. Being multilingual is an asset. 

10 You have presented in several conferences in and outside the United States. What were the conferences about? Have you ever faced any problem? 

I have presented at conferences in the States and Korea so far. I generally present on research and/or pedagogical approaches to extensive reading, since that was my focus while pursuing my MA degree. Unfortunately, I have not had the chance to present on NNEST  issues yet. I am writing proposals related to NNEST issues for future conferences, so I hope to share that with you in the future.

One of the reasons why I have never presented on NNEST issues was because I had trouble positioning myself while “researching”. A lot of the research that I do takes a qualitative approach, which also means that it usually requires close collaboration with the participants. I was worried that I would have biased views and would take certain things personally.

11 But you have just said that you are writing proposals related to NNEST issues for future conferences… What changed your mind?

Yes [laughs]. My perspective greatly changed after attending the 2014 TESOL Convention in Portland. I met many NNEST presenters presenting on NNEST issues. Their presentations were sending out powerful messages, which sparked my interest and motivation to become a part of this discussion and research, too. It proved to me how empowering it can be to have our voices heard. I also “stumbled” into the NNEST IS meeting, and discovered how actively the members were contributing to the issues related to NNESTs. Now, one of my goals is to be able to contribute to this discussion very soon.

12 So, to conclude this interview we could say that mates and experienced teachers have helped and inspired you along your career…

Absolutely yes.

Thank you very much, Hami, for your attention and your answers.


Survival kit: three motivating activities

1 The poster carousel

Activity for visual learners: each student has an envelope with a story inside. They have to create a comic strip with their stories. When they finish, they stick the sheets on the wall. Then all students get to the wall and must guess what happened in each story. The owner of the drawing says yes or no, and gives hints until her/his mates guess right.


Example of story:
Last weekend I drove to the mountains with my family. We stayed in a nice big square house. On Saturday afternoon we started to hear voices in the dining-room, and we were very frightened. We tried to keep calm, so we went outside to have a walk. We came back in the evening. We were in the kitchen cooking the dinner, when we heard the terrifying voice again. When I was in bed, I had a nightmare: a monster came into my bedroom and ate my shoes. When I got up, I went downstairs and I saw the key to the mystery: I saw a parrot flying in the dining-room. There was a parrot in the house, and it was its voice the one we heard.


2 Solving a mystery 

For practising the logical smart: In this activity students are divided in groups. They read a mystery and have to reach a solution. If the groups don’t guess right, the teacher gives a hint.

You can find an example in this link. If you click on the wrong answers, you will be provided with a hint.


3 The brainstorming

For read-write learners: When we are teaching vocabulary, for example, about the topic of environment, students make a brainstorming writing down key words. Later they organise them in mind maps and fill in these maps with more vocabulary.

Multiple Intelligences & Learning styles

These are the results from my test on multiple intelligences


I must work on the logical and visual smarts :P

Here you are the link to do the test:

http://www.bgfl.org/bgfl/custom/resources_ftp/client_ftp/ks3/ict/multiple_int/index.htm


 

                                                 WHAT IS YOUR LEARNING STYLE?












It is very useful to know how we learn. These are my results:



If you want to do the test, this is the link:

http://www.educationplanner.org/students/self-assessments/learning-styles-quiz.shtml